The Vivienne Westwood

* Vivienne Westwood British fashion formulaer and business woman for the most p cheat responsible for bringing modern punk into the main stream. * In 1971, she capable a sleuth with her boy friend Malcolm McLaren called let it joust at 430 Kings Road. They sold brothel creeper shoes and draped jacket. Her inspiration was the 50s music and clothing. * In 1972, the stool was rebranded with skull and crossbones and renamed as Too card-playing to live, too young to die. The designers interests had turned to biker clothing, zips and leather. Westwood and McLaren began to design t-shirts with provocative messages.Westwood was deeply inspired by the punk fashion phenomenon of the 1970s, facial expression I was messianic closely punk, seeing if one could put a spoke in the system in some way. The punk manner included BDSM fashion, bondage gear, safety pins, and razor blades, bicycle chains on clothing and spiked dog collars for jewelry, as well as frightening make-up and hair.* By 1974, the shop was renamed sex. It was intimidating and attracted extraordinary clientele. The shops slogan was- rubber wear for the office. In 1980, shop got its nett name i. e. The worlds end which is still open and possess by Vivienne Westwood. Vivienne Westwoods designs got popular when McLaren became the manager of a British rock band called the sex pistols. They wore clothes which were intentional by Westwood. The designs were inspired from prostitutes and bikers.* Pirates ingathering was the first ever catwalk at Olympia in spring 1981. It was a unisex array. This line was inspired from Native Americans and ethnic cuts. The pants were jobless from the hip area. The garments were asymmetrical. The clothes evoked the golden age of piracy, an age of highwaymen. The entreaty immediately entered the mainstream. The buffalo girls in 1982 marked the the opening of their second shop named Nostalgia of mud. This collection was all about huge tattered skirts and sheep scrape j ackets in muddy colours.The emphasis was put on the over printed inherent fabrics. The whole collection had a raw feel to it. The inspiration was the move Peruvian women. In this collection bra was worn as an satellite garment. Her relationship with Malcolm McLaren ended right subsequently this. * Westwood found magic in the work of the New York graffiti artist Keith Haring. This was printed in fluorescent colours on backgrounds that resembled firework paper.In 1983, She created a collection named witches which had Harings prowess on it. It featured t-shirts, oversized jackets and coats, double-breasted jackets. * Client Eastwood, It included garments strangled in Italian company logos and Day-Glo patches inspired by Tokyos northeastward signs. These were use to fill up the empty spaces on the garment which was a trend in those days.* Harris Tweed was a Tailored and childish smell collection by Westwood in 1987. The Inspirations were royalty, British fabrics, especially wool and blackened velvet which had provided all the uniforms of the British Empire. This was followed by Voyage to Cythera this collection was named after a Watteau painting. Inspirations were Watteau, Comedian del Arte and Ballets Ruses . * The Inspirations for the portrait collection were the various Oil paintings. She well-worn to portray the painting textures and wealth into her garments. * Cut and Slash in 1991, In this collection she Slashed fabric deal satin, cotton, denim. She was inspired from the 16th ampere-second mania for cutting and pricking fabric which lasted for 200 years and the battles.The collection consisted of gowns and knit wear jackets. * at the time of Gainsborough the French became mad about English accommodate and the spontaneity of country charm. Vivienne believes that fashion is a junto and exchange of ideas between France and England, On the English side we have tailoring and an easy charm, on the French side that solidity of design and residue that comes from never being satisfied because something can always become to a greater extent refined. Hence she created a collection named Anglomania in 1993. Vive la Cocotte was a brand new silhouette collection, the ultimate hourglass figure with padded go to pieces and bustle now constructed out of a light weight admixture cage. It was worn with Extremely high platforms. * After this, she kept historicism to one side, Westwood returned to a more asexual cut, exploring the natural dynamic of the fabric by treating it want a living mass . he came out with various labels like gold label, red label, wild beauty etc. choosing different titles explains her cheap in the industry.* The glod label was inspired from fairy tales. Hence the collection was cognize was prince charming. * At Naomi Campbells request we designed a special tee-shirt called zippy Statistics for her charity Fashion for Relief. Right now this charity is working with the unobjectionable Ribbon Alliance which sup ports the 240,000 pregnant women and mothers of new-born babies with 0 support in Haiti.This tee-shirt is getable to buy at the show venue or through our shops and on the website * The red label is about being romantic and artistic. The woman is an art lover. Art gives meaning to her life and courage to face the world. * She also designed a wedding gown for Jessica parker in the movie sex and the city. Which became a hit. She was also one of the script writers too. * Her work is very similar to a indain based designer called manish arora, * They both are loud, vibrant, loves to think out of the corner etc.